Many thanks to my friends who share their thoughtful comments with us on MGO. They make me reflect on so many different levels about the things I post. Kevin's reminder about Lord Byron's birthday got me thinking about philhellenism and the Greek love-hate relationship with the West. Then I remembered reading some things on Simon's blog, Democracy Street which ignited another round of reading and thought. Eventually I ended up on the website of Nikos Dimou. Mr. Dimou is a controversial figure but one that expresses what many Greeks may be feeling yet are reluctant to voice. A poet, photographer, philosopher and author, he has written over fifty books but he is remembered primarily for one particuar bestseller which earned him, unjustly I think, the title of "anti-Hellene." That book was "The Misfortune of Being Greek" written in 1975, which is a series of observations about the Greek malaise.
I have taken the liberty of posting excerpts of some of his essays that deal with some of the foundational problems of Greek society. The entire version can be found here.
Diaspora
Have you noticed, he continued, that not one of your
great poets was born in the Greek mainland? Solomos and Kalvos were not
even Greek citizens - and their mother tongue was Italian. Sikelianos
also came from the Ionian islands, Elytis was born in Crete - his
family originating from Lesbos - and Kavafis (also not a Greek subject)
lived in Alexandria. Your only two philosophers of any importance,
Castoriadis and Axelos, are French citizens and write in my language -
and so is your most avant-garde musician, Iannis Xenakis.
- Well, I broke in - I can remember, when I was at school, I had to
read the novels of Kazantzakis in English or French, because they had
not been published in Greek. Imagine, the original appearing only after
the translation became an international best-seller!
- Axelos once said in a lecture, that it is impossible to be a
philosopher in modern Greece. I would broaden that statement to include
all kinds of intellectual and creative activity.
- Don't you think you are going too far? After all, there is a lot of things happening around!
- Yes, but the important ones are either created outside Greece, or in
Greece with foreign influence (or money) and for a foreign public.
Tsarouhis worked for a foreign art dealer. (I can remember him
conceiving his vision of pure new Greek art, in Paris!) Look at the
movies of Theo Angelopoulos! The sculpture of Takis!
- Nobody is a prophet in his own country!
- If this is true in most cases, it is much truer in Greece, said my
guest. There is something in this country that kills creativity. I
think it is the proliferation of genius. You are a singularly gifted
race - again like the Jews. But too much genius, in a small country, is
bad for the nerves. There is no breathing space. There is no public. A
brilliant small minority and a totally indifferent majority. The
minority suffocates. All transmitters, no receivers. A very frustrating
situation for talented people. So, as long as they remain in Greece,
they use all their talent to trip up the next guy.
Babel
Before going into any rational argument, let us try to understand why
Greeks react in this way. You always assume Greece belongs to the West.
It does - and it does not. There has been a strong anti-western current
in Greece for centuries. It has religious, national and ideological
roots. Grouped inside this current you will nowadays meet an amazing
mixture of characters: leftists (for whom western means capitalist or
imperialist), extreme right ultranationalists, fanatical orthodox
believers (neo- and old) and intellectuals. But mainly you will find
populist politicians, cultivating the conspiracy theory of history,
plus their victim: the simple man in the street who assumes an underdog
mentality towards the 'Great Powers'. (The great alibi. 'They' are
responsible for everything). So Greeks never felt they really belonged
to the West. (They all say: I studied in Europe, I will travel to
Europe - as if Greece was located in Asia). Our relationship to the
West was always a love-hate affair, expressed wonderfully in two Greek
words: Xenophobia and Xenomania. Phobia and mania are emotions - and
therefore: when we talk to the West (or about the West) our language is
emotional. It not easy for us to think rationally on this issue. Or for
that matter, on any issue - we are very emotive. Mediterraneans, with a
long history, loaded with pathos and agony. (Greek words again!)
Enthusiastic, excitable, warm, friendly, insecure and short tempered.
Especially if national or personal issues are concerned."
"Whereas we stand there detached, cool and rational..."
"Exactly. You talk the language of reason - we shout our heads off in
demonstrations and rallies. Babel. No communication possible."
The Glory that was Greece
I wish statesmen were poets, said Ion.
- Why?
- Because Poets always loved Greece! They had a weakness for this
country. They were ready to forgive our mistakes, to understand our
problems, to help in times of need. Remember Byron? Now nobody cares
for us...
In the rays of the setting sun, eighteen-year old Ion looked like an ancient statue of Antinoos.
- Why is it that you Greeks want so much to be loved? You have an
overwhelming need for warmth and care. You divide all foreigners into
friends and foes -- Philellenes and Misellenes, Greek-lovers and
Greek-haters. Has it never dawned upon you that most people are neutral
and indifferent?
That was Robert the Scot, speaking. He was sipping at his ouzo. (Unlike Greeks, he hates scotch whisky.)
- This is the Greek way to look at history and politics, I said.
Dramatic, not to say melodramatic. Our philosophy of history explains
everything after the pattern set by the presocratic philosopher
Empedocles. Two powers shaped the cosmos
-- strife (νείκος) and love (φιλότης). It is a very old theory...
- Ah -- here come the ancestors, again. Everything is filtered through the past.
- They had a word for you, Rob: cynic!
- OK. They discovered everything. But what about you? Aren't you tired
to live in their shade -- and at their expense? Furthermore I do not
think you can identify yourselves with the ancient Greeks by right of
inheritance. You have to earn that distinction.
Under Foreign Flags
The most prosperous and creative Greeks, during the
last three centuries, did not live in mainland Greece. They were to be
found in Alexandria and Constantinople, the Ionian Islands, Smyrna,
Syros and Trieste, Bucarest and Paris, Odessa and London. That is where
the Greek Independence War originated. Rigas preached there, Corais
taught, Kapodistria managed foreign affairs, the big benefactors
(Averoff, Syggros, Zappas) assembled their fortunes.
- The flowering of the Greek bourgeoisie. You have written a book about
it -- maintaining that there was never a middle class in mainland
Greece.
- You are always well informed! Yes -- we missed a class and all it
meant for the West: Renaissance, Reformation, Industrial Revolution,
Enlightenment, French Revolution. But the Greeks living abroad got all
the messages -- and acted as a catalyst...
- You know Greek history much better than I do. When I think of Greeks
abroad, my mind goes to more recent situations: Dimitri Mitropoulos,
Maria Callas, Aristotle Onassis, the Greek shipowners in London and New
York...
- And there is still another category. Greeks who lived in Greece but
were accepted and acclaimed in other countries. I remember reading
Kazantzakis' novels in English -- the Greek originals did not yet exist
in Greece.
- He is not the only one to be re-imported in his own country. You mentioned Seferis. I think most Greeks discovered him after the Nobel price.
- To judge by the sales of his books -- definitively.
- There again you have your usual Greek dichotomy. One the one hand
Greeks hate living in foreign countries -- so many old songs complain
about the woes of xenitiá-- on the other hand they seem to thrive there and prosper much more than in their own nation.
- They may prosper -- but are they happy?
- Are they happy in Greece? Your compatriots do nothing but complain.
Living here they dream of emigrating -- and when they do emigrate, they
become home-sick.
The Dark Side of the Sun
I know your thesis about Greeks being "the children of light".
- It is not mine. The poets again. Seferis, searching for our identity
has written: "I wonder - is it the climate or the race? I think it
is the light. There is something in the light that makes us what we are."
And Elytis: "To be Greek... is a function immediately related to the
drama of light and darkness".
- But you have elaborated this into a whole theory!
- No, just a commentary on what Elytis called: the "metaphysics
of the sun". I added an analysis and a series of photographs demonstrating
how Greek light transcending itself turns abruptly into total darkness1.
- The "extreme" light, that goes all the way until it reverts
into its opposite.
- I call this light "absolute". It is for me the only absolute
thing a human being can experience during its stay on earth. This absolute
light illuminates a non absolute world, giving it a semblance of eternity.
- This is why all the Greek poets and philosophers glorified light?
- Parmenides said light is Being, Plato identified it with Truth, and,
of course, the Byzantine mystics with God.
- But then you write something about our light being addictive.
- Yes. Just like a drug: its presence makes you euphoric - its absence
depresses. You see, all addicts are after totality - all addicts chase
the absolute. No wonder Greeks were always obsessed by light - and could
never get enough of it.
Words, words, - words?
I want to find out if a name is an essential part of
a man's being. If it is so important that one should risk his life to
defend it.
- You once said that one's country is more important than father, mother and all ancestors...
- I was speaking about Reason and Laws -- not about names... That is my
problem. To fight for liberty, for justice or even merely to defend
your land, your property -- that I understand. To fight for a name...
- But it is not merely a name -- it is a symbol. It stands for everything you have mentioned: freedom, justice, honor...
- A symbol... I thought of that too. But I am wary of symbols. They are
usually tainted with feeling. I do not trust emotions. Reason has never
killed anybody, but passion, zealotry and fanaticism are disastrous.
Emotions are bad counselors. People should follow their critical
judgment.
- And why do you follow your demon?
- My δαιμόνιον is rational one -- it speaks with the voice of λόγος. And I always examine logically its suggestions.
The metaphysics of "grinia"
I have known Petros for many years - I have never heard a positive word
from his mouth. If his financial grumbling was correct, he would have
been bankrupt years ago. If his health declarations were accurate, he
wouldn't be alive any more. As far as I hear he is doing very well, he
has a profitable small business, charming kids and a loyal wife. He
also has an infinite "grinia" potential!
And he is not an exception. Never will a Greek, if asked about his
situation, give you an cheerful account. I am sick and tired of this
eternal complaint.
- Look Bret, I admit you have a point. Greeks are not merry and
light-hearted. And they seldom give a positive picture of their
situation. It is something like a superstition. They are deeply afraid
that any optimistic statement will incur the wrath of the Gods.
- How do you translate γκρίνια
in English? My dictionary proposes: whining, whimpering, complaining,
nagging, sniveling, grumbling, fretting. Somehow none of these words
seems to me the exact counterpart of the Greek term. But then such
affective denominations are untranslatable.
- It is not even a Greek word (it comes from the Italian 'grignia') -
but it sums up one of the most essential Greek characteristics:
complaining. For a Greek it is equivalent with living. One could alter
Descartes famous word: I complain therefore I exist. Look at the Greek
songs - the traditional ones, the dimotika and the more recent ones the
rebetika. They both speak about pain, homesickness, bereavement, death,
unrequited love. Not even five per cent of them are joyful.
- But why? I admit, the history of Greece is not that cheerful, but
other nations have also had their part of suffering. As you rightly
said most of the Greeks songs are in one way or another 'moirologia' -
dirges
- A Greek writer of the nineteenth century has written an essay claiming that the modern Greek word for song τραγούδι comes from the ancient term tragic. To sing is to lament.
- You have still not answered my question: why?
- Well, I have a theory. Greeks are passionate people. They adore life.
They really enjoy living. But, as the wise Buddha said, the more you
are attached to this world, the more you suffer. Greek pessimism is not
the result of a negative approach to existence - just the opposite. It
originates in a very deep thirst for living, which can never be
quenched. From the times of Homer the complaint is the same: life is
wonderful, but so short! Never have the Greeks found real consolations
in thoughts of an afterlife. It is too abstract and distant. They want
everything and they want it now. No wonder they constantly feel
frustrated!
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