From a letter to Adnan Menderes from Patriarch Athenagoras November 15, 1955 |
For the Greeks of Constantinople, September is a time of remembrance. It marks the sad anniversary of the 1955 pogrom, an event that my family and I lived through and which changed our lives forever. Things would never be the same. For the few remaining Greeks still living in Turkey, most of them elderly and those of us who now live elsewhere, this month, in particular is a portent of a future in which the more things change, the more they remain the same.
In modern day Turkey, the chilling reminders of past atrocities, designed to send an unmistakable message, pass without a whimper from the local press or government officials. On the anniversary of events which saw the the wonton desecration of churches and cemeteries. we are forced to relive those events by being silent witnesses to the desecration of our cemeteries by a new wave of hate. Once again Christians are identified and marked for elimination as they were in 1955 when Greek businesses and homes were painted with a red cross in the dead of night.
The events of 1955 are of course, another piece of history that has been expunged from Turkish history books. Even the exhibition of police photos saved by a government prosecutor caused an uproar when they were shown in 2005. Recently a much touted Turkish film, Güz Sancısı, or The Pain of Autumn made its debut. It's claim to fame is that it is the first time that the entire subject has been served up to a mass Turkish audience. It was intriguing to think of such a film finally seeing the light of day. Until I saw it.
The film revolves around a love story between a Turkish man and Greek woman, with the events surrounding the pogrom serving as a backdrop. While it does at least try to touch upon what happened, it does so in such a manner so as not to reveal the full extent of what actually happened. There is no attempt made to show the full extent of the atrocities that occurred. It perpetuates the falsehood that the entire thing was planned and executed by right wing nationalist members of the deep state. In actuality the pogrom was centrally organized, many of the rioters recruited in Istanbul and in the provinces by the party of Prime Minister Adnan Menderes. They were transported by train, trucks, and some 4,000 taxis, with specific targets and instructions. They were given axes, crowbars, acetylene torches, gas, dynamite, and large amounts of rocks in carts. The Turkish military planned and directed the entire operation. The Army and Police intentionally refrained from protecting the lives and properties of the Greek victims, their primary mission being to preserve Turkish property and protect it from being destroyed. Interestingly, Menderes was later hung from the Galata bridge for the crime of "abuse of discretionary funds." Subsequent governments have named an international airport, a University and two high schools in his honor, ignoring his infamous crimes against the Greek minority, which after all, was business as usual in Turkey and a job well done.
The other problem I had with this film is the way that it depicts Greeks. The heroine is a prostitute who is sold to the highest bidder by her Greek grandmother who sees the Turkish boyfriend as a threat not because he is Turkish but because she might lose her meal ticket. The Greek victims of the pogrom are mostly an invisible group in this film. Nothing about churches or cemeteries being desecrated or even the extent of what happened. Anyone without an inkling about what really happened, i.e. most Turks, would wonder what the fuss was all about. The only sympathetic characters beside the two lovers are all the Turks who stand heroically in front of apartment buildings marked as containing Greeks (but where they also happen to live) and a rather troublesome journalist who meets a grisely fate at the hands of some villainous deep state goons. If this is an example of a Turkish attempt at honesty or even progress, in the hopes of expiating their genocidal sins, I am not impressed.
The Pogrom of 1955, imposed on innocent Turkish citizens of Greek origin by their own government must be seen in the light of a religiously driven program of genocide and ethnic cleansing executed by successive Turkish governments. It was designed to put the finishing touches on an ethnically pure Turkey however, it was only one of many pogroms before, during, and after the First World War, which included the elimination of the Greek communities of the Pontos and Asia Minor numbering in the millions. It must always be viewed in that historical context. Unfortunately, there are always new enemies to expunge as the Greeks of Cyprus and the Kurds of Turkey have discovered.



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